Steinberg Cubase v5.1 DVDR (AiRISO) + Updates

Steinberg Cubase v5.1 DVDR (AiRISO) + Updates

Steinberg Cubase 5.1 + Updates | PC | 3.94 GB

Cubase 5 – Advanced Music Production System. Cubase 5 comes with fully integrated new tools for working with loops, beats and vocals, such as LoopMash and VariAudio, combining with new composition features and the first VST3 convolution reverb to take musical creativity to new heights. With stunning innovations and additional enhancements that boost productivity and performance, Cubase 5 represents the absolute cutting edge in digital audio workstations.

Ni Kore v2.0 VSTi RTAS HYBRiD DVDR REPACK-DYNAMiCS

Ni Kore v2.0 VSTi RTAS HYBRiD DVDR REPACK-DYNAMiCS

Team DYNAMiCS | 03/03/2008 | 3.15 GB

KORE 2 is the Super Instrument – a powerful software / hardware system with a versatile library of more than 500 production-ready sounds with over 3,000 sound variations, plus over 100 effect settings. Find, play, and tweak sounds with unprecedented speed, power and ease. KORE 2 features six integrated sound engines, a dedicated hardware controller, and the ultra-fast KoreSound® browser. Additionally, KORE 2 is infinitely expandable with the KORE SOUNDPACKS, KOMPLETE 5 or any other Audio Unit™/VST®-plug-in. Production-ready sound library: KORE 2 produces cutting-edge sounds right from the start based on the integrated sound engines of REAKTOR, MASSIVE, ABSYNTH, FM8, KONTAKT and GUITAR RIG. The versatile sound library covers production-ready sounds of nearly all kinds – ranging from band and orchestral instruments to synthesizers, drums, soundscapes and sound effects. Every included sound provides up to 8 sound variations which can be morphed using the unique morphing pad or the KORE controller – intricate sonic transitions are at your fingertips!

Fast and easy access to sounds
KORE 2 makes finding the desired sound a breeze – simply choose an instrument type and its musical characteristics in the new and expanded KoreSound® Browser or use the text search function.

Analog-style control
In KORE 2, software generated sound acquires the tactile feel of hardware. The KORE Controller’s high resolution, touch-sensitive controls guarantee tangibly direct analog-style sound manipulation. All library sounds have been pre-mapped for immediate hands on tweak-ability.

Top Features
* Unified software / hardware system to instantly find, play and control sounds
* Includes sound engines* from REAKTOR, MASSIVE, ABSYNTH, FM8, KONTAKT and GUITAR RIG with 500 unique KoreSounds®
* Sound Variations enrich every KoreSound with up to 8 variations that can be morphed into each other
* Perfectly integrated hardware controller for analog-style sound control and complete software navigation
* Loads Audio Unit™- and VST®-plug-ins with easy preset import for immediate use
* Ultra-fast KoreSound®-Browser lets you find any sound according to its musical attributes
* Drag and Drop user interface for a fast and inspiring workflow that liberates creativity
* 30 top quality effects ranging from classic to inspiring creative tools
* Powerful routing/layering possibilities based on a highly flexible audio and MIDI signal flow
* Built-in Arpeggiator and Step Sequencer with real-time control
* Preconfigured for smooth use with KOMPLETE 5

 

 Interfaces
KORE 2 as a host loads:
VST®, Audio Units™

KORE 2 as a instrument or effect plug-in runs:
Stand-alone, VST®, Audio Units™, RTAS® under Pro Tools 7™

System Requirements
Mac OSX 10.4.x / 10.5, G5 1.8 GHz or Intel® Core™ Duo 1.66 GHz, 1 GB RAM
Win XP / Vista (32 Bit), Pentium / Athlon 1.4 GHz, 1 GB RAM
USB 2.0 Port, 5 GB free disk space.

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Studio One 3 Professional v3.0 Include Packs WiN MAC-R2R

Studio One 3 Professional v3.0 Include Packs WiN MAC-R2R

TEAM R2R | 2015.05.21 | WiN: 177,01 MB | MAC (REPACK): 134,21 MB

Include Packs 6 Packs of Sounds and Loops and Reference Manual

Studio One Artist and Professional are available direct from both PreSonus and music retail shops worldwide as both upgrades and full versions. Both Artist and Professional come as standard download versions, and can also be purchased with the entire program on an exclusive limited edition 64 GB USB flash drive.

Include Packs & Manual:

• Studio One 3 Reference Manual English v1.0.0.7 for StudioOne-R2R
• Ampire XT Metal Pack v1.0.0.7 for StudioOne-R2R
• GB Essential Collection Soundset-R2R
• SM Loops And Kits for StudioOne-R2R
• Acoustic Drum Loops Pro for StudioOne-R2R
• Acoustic Drum Loops Vol.2 for StudioOne-R2R
• MVP Loops And Kits for StudioOne-R2R

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Trilian 1.4.1d VSTi RTAS x86 x64 WiN

Trilian 1.4.1d VSTi RTAS x86 x64 WiN

WiN  | x86 x64 | + Updates | 33 GB

Trilian® is the total solution for Bass from Spectrasonics With its comprehensive design, Trilian brings many different types of Bass together into one extraordinary-sounding virtual instrument. Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses – plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. Trilian is the successor to Spectrasonics’ award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses.

Powered by next generation STEAM Engine technology, Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere® synth – allowing Trilian’s sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.

“At Spectrasonics, we’ve always loved Bass sounds.” notes Eric Persing, Founder and Creative Director. “When we started 15 years ago, our very first product was the best-selling Bass Legends sample library. Then in 2002, we introduced Trilogy – the world’s first Bass Virtual Instrument. Now we are very pleased to release Trilian, which represents a whole new generation of our Bass development. Trilian is built on the STEAM Engine that powers Omnisphere, which has allowed us to create the most expressive and flexible Bass module we’ve ever made.”

PERFORMANCE
The new acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software’s intuitive, automatic selection of legato and release articulations as the user plays – and the extensive ‘Round-Robin’ variations introduced for natural sounding bass lines with repeated notes – create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the new basses feature multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass.

BASS INSTRUMENTS
Over sixty different 4, 5, 6 and 8 string Electric basses are presented in fingered, picked, fretless, slapped, tapped, and muted technique variations – providing a huge variety of sounds for any musical genre. Highlights of the new Electric Basses include a Music Man™ 5-string Studio Bass, Chapman Stick®, Lakland™ Rock P-Bass, Clean Fender® Jazz Bass, a Hardcore Rock Bass, a Retro 1960’s Epiphone® Viola Bass and much more.

Trilian’s stunning new Acoustic Bass is the most detailed instrument Spectrasonics has ever released, with 4 audio channels and over 21,000 samples to create this single instrument! All this combined with Trilian’s high-resolution streaming of the sounds puts a depth of realism into performances that is truly inspiring.

SOUND CREATION
For Synth sounds, Trilian features newly-developed 4-Pole “Juicy” and “Power” Filter algorithms with oscillating resonance that are ideal for electronic bass. Hundreds of synth soundsources were created using over 30 of the most exotic and coveted hardware synthesizers – from the original Moog® Taurus Pedals to the latest boutique analog modular synthesizers. A multitude of extremely powerful editing controls are available for sound design – including the “FlexMod” modulation system, Dual Filters with more than 19 filter types, 6 multistage looping envelopes, 6 full-featured LFOs, dual morphing modulation, modulatable FX racks and much more.

Trilian’s FX racks include all of the renowned FX processors from Omnisphere and Stylus RMX – including a wide variety of amp and speaker models, distortions, dynamics processors, equalizers, chorus, phasers, flangers, delays, reverbs, unique specialty FX and more.

LEGACY
As Spectrasonics’ next-generation bass instrument, Trilian includes enhanced, remastered versions of Trilogy’s core library – taking it to a new level of sound and expression. As a special bonus, Spectrasonics’ original “Bass Legends” multisamples have also been remastered and included in the Trilian library, featuring Marcus Miller, John Patitucci, and Abraham Laboriel (bass sounds which some hardware synth users may remember from popular Roland Xpansion boards and the classic MBD-1 rack bass module).

INTEGRATION
Trilian is the first virtual instrument to feature core library integration with Spectrasonics award-winning, flagship Omnisphere synthesizer. Trilian’s complete sound library can be opened within Omnisphere for further synthesis and expanded performance possibilities.

Trilian’s Arpeggiator features the “Groove Lock” technology Spectrasonics pioneered in Omnisphere and Stylus RMX’s Time Designer – which means that with a simple drag and drop action, the feel of bass patterns created with Trilian’s Arpeggiator can be perfectly synchronized between all three of Spectrasonics instruments.

INTERFACE
The new Custom Controls interface on the Main page of each patch brings out the most useful and interesting sound modification controls for that specific patch, and a single control can even modify numerous parameters to create unique FX. The Custom Controls are all MIDI Learnable, Automatable and users can create their own configurations of Custom Controls.

COMPATIBILITY
Trilian is cross-platform compatible with Apple Macintosh OS X 10.4.9 and higher as a native Universal Binary for Intel-Macs and Macintosh G5, and also with Microsoft Windows 7/Vista and XP SP2 and later. 32-bit Audio Units, VST, and RTAS plug-in formats are supported for compatibility with all major host software. Trilian is currently available with 64-bit native support on Windows, and 64-bit native Mac OSX support is in development.

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HALion String Edition iSO+8CD Library-DELiRiUM

HALion String Edition iSO+8CD Library-DELiRiUM

Team DELiRiUM | 02-02-2003 | 5.53 GB

HALion String Edition features sections of 8 double basses, 10 cellos, 12 violas and 16 violins, and offers fantastic playing feel and a sound character suited to any musical style from classical to contemporary. The top-notch recording techniques used gives the HALion String Edition a warm character, an outstanding sound quality and an unobtrusive, natural ambience. Each section is provided in two versions you can combine freely with other sections. A multitude of presets make arranging and combining sections a breeze. HALion Player allows full control over articulations such as crescendo, bowing or portamento. The additional HALion programs allow creative editing and limitless combination with other sounds in HALion.

Features:
Complete orchestral strings – Double Basses, Cellos, Violas, Violins.
Suits all musical styles from classical to contemporary.
Unrivalled expressiveness, full dynamic range, up and down bows.
HALion String Player included for PC and Mac OS.
Articulations such as legato, tremolo, pizzicato or spiccato.
Warm and defined sound, perfectly balanced bow noise.
Natural concert hall ambience, true key release action.


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Dash Signature HQS Vol.2 Minimoog EVE WusikStation Addon-CoBaLT

Dash Signature HQS Vol.2 Minimoog EVE WusikStation Addon-CoBaLT

 

Team CoBaLT | 07.25.05 | 553.55 MB

HQS Vol.2 is probably the definitive collection of sounds created and sampled in long format from a real Minimoog and sculpted by the synthisis tools in EVE and Wusik Station.You will find leads, split keyboards, basses , sound effects as well as extending the MiniMoog sound into spacial pads and synths with polyphony and stereo effects, thanks to the layering features of samplers. Amongst the sound set, you will find basses, organs, electric pianos, brass, pluck, fx and synthesised sounds, as well as a few of the formant sequences. But you wont find just professional mustisamples, also a bank of 128 EVE presets, featuring exciting and inspirational combinations of FS1r samples and EVE vintage sounds. Playing the sounds and making them come alive requires some techniques that were developed on the original MiniMoog. When playing leads, use the legato technique, playing smoothly on the keyboard without retriggering a full note on. Interesting timbres can be produced. The Legato technique along with pitch bend and mod wheel ( for vibrato) can create expressive leads and basses.

When playing the SYN and PAD presets( which are polyphonic) use chords. Hold for a little to hear the evolution of sound. There are quite a few little surprises. For Wusik Station users, there are several PADS and SYN presets that make use of the Wave sequencing ability of Wusik Station. While the presets show off what can be done with this sound set, the real beauty is in creating your own customized sounds using the 84 available multisamples . Your imagination is the limit.

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Studio One 2 Professional v2.6.5.30360 WiN-R2R

Studio One 2 Professional v2.6.5.30360 WiN-R2R

TEAM R2R | 2015.05.21 | 229,31 MB

Studio One 2 is a new music creation and production application for Mac OSX and Windows XP/Seven that makes audio recording, MIDI sequencing, and audio mastering simple right out of the box, yet provides a wealth of professional features.

Studio One gives you a complete, easy-to-use solution from raw tracks to finished master, while supporting the latest standards and technologies

Acoustic Modelling WusikPACKS 1-6-ASSiGN

Acoustic Modelling WusikPACKS 1-6-ASSiGN

Team ASSiGN | 21 MAY 2010 | 1.39 GB

This group of SoundSets and Presets includes sounds I produced recently in working on physical simulation of instruments, as well as some from recording of an acoustic guitar — feeding the simulation results or recording through guitar amp simulations, for most of them — then through acoustic modelling software for all of them. The instruments typically consist of four velocity layers, every other note over the range. The Presets are simply places suggested for starting points for further exploration. I simply manipulated the ADSR envelopes of two oscillators described below to provide more and less of the acoustic modelling sound (“ambient” loosely speaking). I also provided some single-velocity layer presets for lighter CPU and memory loading.

Some technical notes and hints for use — especially IMPORTANT NOTE below:

The acoustic modelling used for these sounds simulates Blumlein-style, truly coincident microphone recordings at a distance of 9 meters, 90 degree separation between right and left with slight upward tilt. The instruments were set up such that the lower notes were at a position 15 degrees to the left, middle notes at center, and higher notes 15 degrees to the right. This is not merely panning, but actual simulation of positioning in a (virtual) concert hall of 12,500 cubic meters, as if the instrument was spread out in the space of this virtual hall. Please see an IMPORTANT NOTE on panning further down….

Each individual sound was cross-faded into two oscillators, Osc1 and Osc2. Osc1 contains the direct wave and a few very early reflections (i.e. “dry” but with a particular timing interval to model a specific location for sound source and listener) while Osc2 contains the rest of the early reflections, later reflections, and the reverb tail.

A VERY IMPORTANT NOTE FOR USERS: Panning should be done with oscillators, not by panning instruments or instrument tracks in a mixer. Because of the acoustic modelling, users should NOT pan the instrument track because this will disturb the later reflections and reverb tail (Osc2), throwing it to one side or the other. Users should normally pan ONLY Osc1 inside WusikStation instead which will pan the direct wave and early reflections.

As described above, and in general, each instrument was modelled so that the portion of the instrument that produces lower notes is on the left, and the portion of the instrument that produces higher notes is on the right. Therefore, even if panning is done for Osc1, notes will tend to jump around a bit. This was done on purpose to create an additional dynamic to the sound.

Results from mixing may need mastering, in particular multiband compression and some bass lift. The basses are a little light on sub-bass to make them more compatible with what folks do anyway when mixing. That is, most people cut sub-bass down anyway, an advisable thing to do for many mixes. When I want more “pop” sound from these basses and a bigger thump from the kick, I increase the bass starting at about 180 Hz on down by about 2 db or so. I’ve found that the “basses” actually provide decent midrange guitars.

These sounds can be quite demanding upon computer resources. Thanks to William having implemented SFZ capabilities, it is quite easy for users to reformulate these sounds as two-layer, every fourth note instruments, etc.

—————————

And finally, probably way more than you wanted to know:

Some of the guitar sounds were made by solving the wave equation for a plucked string with different types of plucking, simulating “faster” to “slower.” These solutions were then resonated in various types of boxes. That is, they were convolution-reverb’d in small boxes at specific points on and within the small box. Some of the boxes were real boxes, others were simulated. In turn, these resonant solutions were fed into guitar amp sims. The outputs of the guitar amp sims were then supplied to the acoustic modelling represented by stereo pairs of impulse response functions, each pair representing the recording of an impulse by two truly coincident directional microphone at a particular location, of a sound source at another particular location. That is the short explanation.

Motivation for this project: The acoustic modelling software provides stereo separation, echo, reverb, etc. in a physically consistent way, as contrasted to the usual combination of digital-signal-processing models which are not necessarily consistent with each other and can cause a lot of headaches during mixing. One goal of this project was to create a set of sounds that were more “ready to mix,” requiring mostly setting MIDI velocity ranges, volume levels and some slight panning as explained above. If one wanted to use additional effects for the sounds, in most cases it should be done back before the acoustic modelling, then remodelled with the result being a new instrument. But artistic license applies as always. I mention all this to explain the philosophy, so to speak, behind this effort.

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WusikPACK for WusikStation 31.05.2011-ASSiGN

WusikPACK for WusikStation 31.05.2011-ASSiGN

TEAM ASSiGN | 31 MAY 2011 | 248 MB

Presets / Soundbanks for VST/VSTi WusikStation…

Includes:

• Archy.Digits.WusikPACK-ASSiGN
• Lead.Collection.V1.WusikPACK-ASSiGN
• Lost.in.the.South.Vol.2.WusikPACK-ASSiGN
• Hybrid.World.Plus.Vol.01.WusikPACK-ASSiGN

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Chipspeech v1.022 AU VST AAX RTAS WiN MAC-R2R

Chipspeech v1.022 AU VST AAX RTAS WiN MAC-R2R

Team R2R | May 08 2015 | WiN: 130 MB | OSX: 132 MB

Chipspeech is a vintage-style speech synthesizer which recreates the sound of famous 80′s voice synthesis chips. It features 7 different voices, each with its own characteristic timbre. It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It’s a true synthesizer, the sound can be extensively modified for easy and expressive performances. Chipspeech also features a circuit bending emulation, letting you not only recreate the insane and chaotic sound of a circuit bent TI speaking device, but also use it in a controlled, musical way.

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Yellow Tools Majestic Virtual Bass VSTi WiN

Yellow Tools Majestic Virtual Bass VSTi WiN

P2P | 2005 | WiN | 9.41 GB

Yellow Tools MAJESTIC might be the definitive bass sample library for your Windows or Mac DAW! Nearly 16GB of the finest bass samples ever recorded are at your command for creating any style of music.

Yellow Tools MAJESTIC at a Glance:

• Huge library of 4-string, 5-string and fretless bass samples
• Three uniquely musical categories of sounds
• Optimized playback for low CPU load and powerful MIDI control
• Multiple plug-in format support plus standalone capability

Free Download Preset Guitar Rig 5 up

 Free Download Preset Guitar Rig 5

Selamat malam sobat..



kali ini ane mau ng'share Big Pack Preset buar Guitar Rig 5..

langsung aja ya ...

didalam nya ada kurang lebih 7.000 preset yang ok punya mulai dari blues,jazz sampe yang tebel distori nya pun ada,.. jadi ngga usah lama - lama deh langsung sedot aja gan dibawah ..

cara insert preset ke Guitar Rig nya tinggal pilih file nya terus drag ke kolom kosong yang di Guitar Rig nya..

1.  cari file yang tadi ente download
2.  Extrak file menngunakan winrar atau apapun lah yang bisa buat extak tapi jangan extrak kulit manggis ya.. wkwkwk
3. pilih file yang akan di simpan  (gunakan CTRL+A untuk memilih semua nya)   
4. lalu drag file yang terblock tadi ke dalam kolom kosong pada Guitar Rig
     
    5. done

link download preset Guitar Rig



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BHK Special Edition Vol.4 Drum Step MULTiFORMAT

BHK Special Edition Vol.4 Drum Step MULTiFORMAT

P2P | 2011 | 444.11 MB

WAV BATTERY AiFF REX2 KONTAKT

BHK’s Special Edition 4 is back to satisfy your craving for the newest loops and bad ass bass grooves on the planet. Drumstep is the newest emerging sound coming thru the Drum n Bass, Dubstep and Hardcore scene that is now taking hold in UK and the USA. This power house sample pack contains 366 files of the fiercest Drumstep loops, Mad Effects and of course totally phat wobble loops. BHK Special Edition 4 brings all the best elements of Drumstep together in one highly usable 24 Bit sample pack for any Daw or software sampler. All the samples are edited to perfection and pumped up to the point where you can add your own effects, Eq and twist out any sound without worrying about pre mastered sounds with no head room. BHK Special Edition 4 contains Acid wav, Apple loops, and Rex.2 files as well as Battery 3, Kontakt 3, nn-19, Redrum, and nn-xt kits so you can program and create your own signature flavor to each sound contained in this pack with ease.

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Big Fish Audio The Hybridizer CDDA WAV ACiD

Big Fish Audio The Hybridizer CDDA WAV ACiD

P2P | Sep 13, 2011 | 4CDs | 2.97 GB

Forged in the angry alcoves of dark clubs, rubble-strewn roadways and the furthest reaches of poor, demented souls comes The Hybridizer. The Hybridizer, from Big Fish Audio, shatters through your soul with a slicing blast of pure, electronica vitriol. Fuzz-laden basses, piercing sub-sonic beats, frenzied melodic distortions, out-of-the-asylum FX with bruising synthetic fragments. The Hybridizer will strike you senseless with incessant hooks; the methodic menace of these tracks will grab a hold of your cranium, blow apart your soundtracks and launch your media projects to new levels.

Content:

• Discs 1 & 2 are packed with audio elements.
• Discs 3 & 4 are Acidized beat elements.
• Shine an angst-laden light upon your ideas. The Hybridizer will bring them to life; just be ready for the turmoil it will unleash.

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free download Glass Marimba KONTAKT-KRock

Glass Marimba KONTAKT-KRock

KRock | Aug 24, 2012 | 2.24 GB

Glass Marimba is a custom instrument – and a modification of the classic marimba. The main difference is that classic the wooden bars have been replaced with glass bars. The bars are struck with mallets to produce musical tones. ally. This instrument is a type of xylophone, but with broader/warmer and lower tonal range. The origin of the marimba goes back Guatamala and Mayan culture and is not of African decent – though it sounds like it.

We deep sampled this gorgeous deep-sampled instrument, which contains +2.000 samples. All core articulations were deep-sampled separately and consists of soft mallet, hard mallet, muted and finger samples. In addition we created a variety of FX and ambient patches – all made with the Glass Marimba.

Core Articulations:

• – Soft Mallet Glass Marimba
• – Hard Mallet Glass Marimba
• – Muted Glass Marimba
• – Finger Nailed Glass Marimba
• – FX Glass Marimba & Ambiences

Core Requirements:

• – NI Kontakt 4.2+
• – 1.7GB harddrive space
• – Ability to download
• – PC 2.0GZ+, 2GB ram
• – MAC 2.0Ghz, 2GB ram

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Southside Symphony Kit WAV

Southside Symphony Kit WAV

P2P | 19.05.2015 | 344.29 MB

Cinematic Trap Samples, *Note- ( Description 4 this kit is not available from web page- he posted the wrong description for this kit – The Murkery Drums Kit Description is the one you will see on the web page…

Kit Contents:
Drums
Melody & EFX Loops
Percussion Loops

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VSL Orchestral Cube Pro Strings Vols-1-4 DVDR GiGA-DViSO

VSL Orchestral Cube Pro Strings Vols-1-4 DVDR GiGA-DViSO

DVD1: 4.04 GB | DVD2: 2.95 GB | DVD3: 3.98 GB | DVD4: 2.32 GB

STRINGS is part of the ORCHESTRAL CUBE COMPLETE ORCHESTRAL PACKAGE recorded in a specially built “Silent Stage”, the top musicians, producers and engineers from Vienna’s wealth of classically trained talent gathered their skills to create a true orchestral sampling marvel.

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Cradle Of Filth - Raising Covers Hell (2015)

Cradle Of Filth - Raising Covers Hell (2015)

Country: United-Kingdom
Genre: Symphonic Black Metal / Gothic Metal
Quality: Mp3, CBR 320 kbps (transcode)

Tracklist:
01. No Time To Cry (Sister Of Mercy Cover)
02. Hell Awaits (Slayer Cover)
03. Black Metal (Venom Cover)
04. Mr. Crowley (Ozzy Osbourne Cover)
05. The Fire Still Burns (Twisted Sister Cover)
06. Devil Woman (Cliff Richard Cover)
07. Hallowed By The Name (Iron Maiden Cover)
08. Sodomy And Lust (Sodom Cover)
09. Halloween II (The Misfits Cover)
10. Stay (Shakespears Sister Cover)
11. Sleepless (Anathema Cover)
12. Bestial Lust (Bathory Cover)


link download Cradle Of Filth - Raising C…rar 126,61 MB

 

Cradle Of Filth - Thornography (2006)

Cradle Of Filth - Thornography (2006)

 

Genre: Extreme Gothic Metal

Quality: MP3, CBR 320 kbps [Cd-Rip]

Tracklist:
1. Under Pregnant Skies She Comes Alive Like Miss Leviathan (01:40)
2. Dirge Inferno (04:54)
3. Tonight in Flames (05:55)
4. Libertina Grimm (05:51)
5. The Byronic Man (05:03)
6. I Am the Thorn (07:06)
7. Cemetery and Sundown (05:37)
8. Lovesick for Mina (07:00)
9. The Foetus of a New Day Kicking (03:43)
10. Rise of the Pentagram (07:02)
11. Under Huntress Moon (06:58)
12. Temptation (Heaven 17 cover) (03:47)
13. Halloween 2 (03.38)

link download thornography.rar 168,82 MB

NI Massive 1.4.0 AU UB VSTi DXi RTAS WiN MAC-R2R

NI Massive 1.4.0 AU UB VSTi DXi RTAS WiN MAC-R2R

msj/ASSiGN/R2R/DYNAMiCS | Various Dates | 497.32 MB

WORKING NOTE: previous release by another group wasnt proper cracked they only nopped the fullversioncheck which can result in a crash or anti piracy warnings after longer usage. Massive combines advanced Wave-Scanning synthesis with a wealth of sophisticated sound-shaping and modulation options, resulting in a sound full of “warmth, punch, character and definition”. Massive is a multi-purpose synthesizer for studio and stage that delivers powerful lead and bass sounds, complex pads and deep atmospheres as well as intriguing sequences.